![]() Typical climaxes include victories or defeats. What are your main characters going to do? Will they succeed or fail? This is it - the primary turning point and what your story has been building towards. A whole lot happens between the start of the novel and that moment, but often you’ll find yourself holding your breath and waiting to see what will happen. This is likely going to be the longest section of your story. This is where your story builds and your reader begins to invest in your characters. ![]() The rising action is the moments in your story that lead up to the climax - choices your main characters have made and the events happening that are at odds with your characters’ goals. Find the common ground between your story’s world and the reader’s and work from there, cluing them into the big differences as you go. These worlds were built from the ground up, but as a reader, it never feels labored. Look to great worldbuilding novels, such as Lord of the Rings or Hunger Games, for excellent examples of setting the stage. Keep it natural and let it drive the story forward rather than stalling it while everyone catches up. Don’t overload the reader with background info right out of the gate. Point of View (aka POV, such as the narrator or main character’s thoughts)īut, as spoken by Officer Lockstock in the Tony award-winning Urinetown: The Musical, “nothin’ can kill a show like too much exposition.” This rings true whether you’re watching a play or reading a story.Even if you choose to jump right into the action, somewhere along the way your reader needs to get a crash course on your characters’ or setting’s history.Įxposition can be given in a variety of ways. This is often found towards the beginning of your story. ExpositionĮxposition gives the reader the background info they need to jump right into your story’s world. To keep your reader engaged and interested, your story should include these plot elements: exposition, rising action, climax, falling action, and resolution. ![]() However, your story does need several clearly defined plot elements to help you structure your tale’s events and keep the story moving forward. Strong emotions can also drive your story and give your characters plenty to talk about. You don’t need crazy car chases or epic battles to construct an exciting plot. But that doesn’t mean it needs to be full of Michael Bay-type action. The plot lets the reader know what’s happening, describes the problems your characters are trying to solve, and gives the details on how they attempt to solve them.Ī strong, compelling plot is essential to any story. This character’s purpose is to support another character.The plot is the events or actions that drive your story - it describes the “what” of your tale.This character goes along with another character in the story-usually the protagonist but can be with any character.It might be the antagonist, but it might just be another bad character.This is a character who is negative, bad, or evil.This does not necessarily make them “bad” characters.An antagonist can be any character who acts against any other.This is someone with whom the protagonist has a conflict. This character is generally in opposition to the main character.They can be as little important as background. They might act as what we’d call “extras” in a movie.They may have small roles and stories of their own, but don’t drive the action of the protagonist/s main story.These characters fill in the story but are not as important as the protagonist or secondary characters.These characters may be written about often in the story and are important but not as much as the main character.(In movies or television, this is called an ensemble cast-when each character is as important as another.) They are the most important in the action in the story. ![]() A story will always have at least one main character, but it can have several.The protagonist is the character who is most written about in the story.Characters by Importance Protagonist (aka Main Character) How do the characters change and grow throughout the story? How does what they go through affect them?Ī story can have many characters, but you may not find all of these character types in a story. What are the characters like? How are they acting? We can use several ways to think of character: Importance Literature 57 Elements of Fiction: Character
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